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Secretary, Dynamics of World Cinema
Tel: +44 (0)1334 467473
Email:
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I received a BA in Architecture from the Middle East Technical University, Ankara. I moved on to obtain an MA in Film Studies at the University of Bahcesehir in Turkey. In my MA thesis I studied perception and representation of filmic space in contemporary Turkish Cinema. I am now working on my PhD degree in Film Studies under the supervision of Dr David Martin-Jones at the University of St Andrews. My doctoral thesis is concerned with the representation and perception of female body and intimacy in transnational cinemas. I investigate the representation of the movement of bodies in space and the sense of touch as the main narrative tools. At the same time, I am also exploring the possibilities of schizoanalytic approaches in film studies.
Publications
Book Chapter
Pekerman, Serazer. ‘Framed Intimacy of the ‘becoming woman': The Representation of the Mutilated Body in Ousmane Sembène's Moolaadé' in Expressions of the Body: Representations in African Text and Image Ed. Charlotte Baker (forthcoming).
Article
Pekerman, Serazer. ‘A Mortal Individual's Fight of Becoming-Indiscernible: Takva (a man's fear of god)' , Third Text: Cinema and Muslim World. Ed. Ali Ahmad (forthcoming).
Article (Danish)
Pekerman, Serazer. ‘Den farlige seksualitet Kvindebilleder i tyrkisk film' (‘The Fallen Women of Turkish Cinema') Film om og fra Mellemøsten - Kosmorama (Danish Film Institute, Kopenhagen) #237, 2006.
Translation
Hill, John. trans. Serazer Pekerman, ‘Çağdaş Britanya Sinema Endüstrisi Politikası ve Kimliği' (‘Contemporary British Cinema: Industry, Policy, Identity'), Toplumbilim Avrupa Sinemasi Ozel Sayisi (Istanbul, Turkey), 18, 2005, pp. 113-18.
Fiction (Turkish)
Pekerman, Serazer. Kolay Bir Ask (An Easy Love) Iletisim Yayinlari, December 2003. 226 pages.
Others (Turkish)
Film critiques and analysis in various Turkish cinematic periodicals. |
