EN2004 Drama: Reading and Performance
Academic year
2024 to 2025 Semester 2
Curricular information may be subject to change
Further information on which modules are specific to your programme.
Key module information
SCOTCAT credits
20
SCQF level
SCQF level 8
Availability restrictions
Not available to First Year students.
Planned timetable
4.00 pm
Module coordinator
Dr M C Augustine
Module Staff
Team taught
Module description
This module is designed to provide an introduction to a small number of representative plays from the Renaissance period to the twentieth century. Special emphasis will be laid upon conditions of production and reception: the literary, political and theatre-historical contexts in which these plays were first created and those in which they are now received. At the same time the distinctive nature of the theatrical medium will be stressed, and students will be encouraged to develop a flexible critical response that will take proper account of the hybrid nature of plays both as texts and as performances.
Relationship to other modules
Pre-requisites
NO PRE-REQUISITES WHEN TAKEN AS A 'STAND ALONE' MODULE, BUT EN2004 IS NOT AVAILABLE TO STUDENTS IN THEIR FIRST YEAR
Assessment pattern
2-hour Written Examination = 50%, Coursework = 50%
Re-assessment
3-hour Written Examination = 100%
Learning and teaching methods and delivery
Weekly contact
3 lectures and 1 tutorial, and 2 optional consultative hours.
Scheduled learning hours
43
Guided independent study hours
157
Intended learning outcomes
- Display a good reading knowledge of the module set-texts and a good general knowledge of the theatrical and cultural contexts in which these plays were composed and were (and are) performed.
- Place these works within a more general critical and theoretical context.
- Contribute, in both seminars and essays, to a critical discussion of the set-texts.
- Display an awareness of the implications of studying works of art that exist both as ('unstable') texts and as (still more unstable) performances.
- Display an enhanced understanding of performance and be able to describe and analyse the potentially problematic relationships that link performance and texts.