CL4606 Classical Collections
Academic year
2024 to 2025 Semester 1
Curricular information may be subject to change
Further information on which modules are specific to your programme.
Key module information
SCOTCAT credits
30
SCQF level
SCQF level 10
Planned timetable
TBC
Module coordinator
Dr A I Petsalis-Diomidis
Module Staff
Dr Alexia Petsalis-Diomidis
Module description
Antiquities from the Mediterranean filled the grand houses and public museums of eighteenth and nineteenth-century Europe. These collections inspired creative imitations ranging from monumental architecture to tea sets. The module asks why and how these antiquities, rebranded as 'Classical art', acquired a key role in elite identity. It also explores the way in which social power structures shaped engagements with Classical art based on class, gender and ethnicity. We focus first on contact with antiquities in the Grand Tour to Italy and Greece, and examples of purchase, excavation and theft. Second, we study the display of Classical art in public and private spaces, and the kind of access and interpretations these fostered. Third, through a series of case studies and site visits (if circumstances permit), we explore neoclassical responses such as luxury publications, pottery, furniture, fashion, architecture, painting and sculpture. No previous knowledge of Classical art is assumed.
Assessment pattern
Coursework = 50% Written exam = 50%
Re-assessment
Written exam = 100%
Learning and teaching methods and delivery
Weekly contact
2-hour seminar (X10 weeks)
Scheduled learning hours
0
Guided independent study hours
280
Intended learning outcomes
- Identify and describe major ways in which classical art was collected and responded in the C18th and C19th centuries.
- Discuss the uses of classical material culture in modernity in comparison to antiquity.
- Analyse C18th and C19th collecting and reception in terms of their social and cultural contexts and, where appropriate, their ethical dimensions.
- Formulate sophisticated arguments about collecting and reception of classical art using appropriate methodologies, scholarship and primary evidence.