AH3196 Modern Art beyond the West
Academic year
2024 to 2025 Semester 1
Curricular information may be subject to change
Further information on which modules are specific to your programme.
Key module information
SCOTCAT credits
30
SCQF level
SCQF level 9
Module coordinator
Dr Y L Huang
Module Staff
Dr S Rose
Module description
Prompted by decolonization, postcolonialism, globalisation, and the globalised contemporary art world of the present day, many have suggested that narratives of modern art focused on Western cities such as Paris and New York are now provincial or inadequate. This course examines the rise of early- to mid-twentieth century 'modern' art in a range of countries not usually considered in Western survey courses. With the 1900-1960 date range setting its boundaries, the course will involve both close examinations of individual works by key figures, and broad comparative examination of movements and styles across times and places. As well as introducing students to some of the figures and movements that have been taken to show the distinctive nature of modernisms around the world, it will ask broader theoretical questions about the status of art history and the study of modernism.
Relationship to other modules
Pre-requisites
BEFORE TAKING THIS MODULE YOU MUST PASS AH2002 AND PASS AH2001
Assessment pattern
5000 words of assessment in total, consisting of the following pieces of assessments: Reading Journal (35% 2000 words); Research Essay (60%, 3000 words); and 5% class participation.
Re-assessment
1 x 3000-word essay = 100%
Learning and teaching methods and delivery
Weekly contact
1 x 2-hour lecture and related contact time (x 11 weeks), 1 x 1-hour tutorial (x 11 weeks), 2 x office hour (x 12 weeks).
Scheduled learning hours
33
Guided independent study hours
267
Intended learning outcomes
- assess the work of major artists and movements associated with modern art of Asia
- consider the possibilities and shortcomings of the ‘global’ and its alternatives as a framework not just for the study of modernism, but for the discipline of art history as a whole
- understand a range of approaches developed to meet the challenge of the global, from colonialism to postcolonialism and transnational art studies
- engage closely with individual works of art, both visually and theoretically
- develop an original argument based on both visual analysis and independent research
- understand different methodological approaches in art history